| Leaflin Arts |
Page 4 of 5 |
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My next step was to cover the entire
cow with a layer of pulp clay. For this, I used a paper egg carton torn
up into small pieces which I soaked in hot water for several hours. Using
small amounts of the pulp and additional water I processed it on high
speed in a blender. I ran the pulp through a sieve to drain off the excess
water. I then placed it in a ziplock bag along with about half a cup of
wallpaper paste, a quarter cup of white glue, a quarter cup of whiting
and a quarter cup plaster, then "mushed" it altogether.
An easier way is to use a product
called "Celluclay" and follow the directions.
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With the cow completely covered in the pulp clay I started on the head. Using the end of a gourd I rounded the nose. For the ears I used card stock covered with several layers of "shop towel" mache' strips. While they were still wet I formed them into ears. The horn nubs are foam insulation pieces and the eyes are styrofoam balls. The head was then covered with the pulp clay and left to harden. |
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Making
The Outer Skin
To make the outer skin I hand dyed heavy weight “butchers paper” in various colors. First I wadded up the paper, wet it, squeezed out the excess water, smoothed it out then painted it with liquid acrylic paint. |
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While the
dyed paper was drying I began to add detail to the hooves, legs, socks and
head. I started with an undercoat of “celluclay” then, after that had dried,
I added more detail with a product called “Paperclay”. |
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